{"id":67,"date":"2020-09-29T18:59:11","date_gmt":"2020-09-29T18:59:11","guid":{"rendered":"https:\/\/katrina.uber.space\/?page_id=67"},"modified":"2026-09-07T18:51:21","modified_gmt":"2026-09-07T16:51:21","slug":"publications","status":"publish","type":"page","link":"https:\/\/katrina.uber.space\/?page_id=67","title":{"rendered":"Publications"},"content":{"rendered":"\n<p><strong>Aboriginal and Torres Strait Islander peoples are advised that the following list may contain names of people who have passed away.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Summary<\/h2>\n\n\n\n<p><a href=\"#monograph\">1 Monograph<\/a><\/p>\n\n\n\n<p><a href=\"#as-editor\" data-type=\"internal\">2 as Editor<\/a><\/p>\n\n\n\n<p><a href=\"#essays\">25 Essays<\/a><\/p>\n\n\n\n<p><a href=\"#reviews\">4 Reviews<\/a><\/p>\n\n\n\n<p><a href=\"#media-productions\">3 Media Productions<\/a><\/p>\n\n\n\n<p><a href=\"#interviews\" data-type=\"page\">2 Interviews<\/a><\/p>\n\n\n\n<p><a href=\"#invited-talks\" data-type=\"page\">9 Invited Talks<\/a><\/p>\n\n\n\n<p><a href=\"#papers\" data-type=\"page\">15 Papers<\/a><\/p>\n\n\n\n<p><a href=\"#conferences-and-workshops\" data-type=\"page\">5 Conferences and Workshops<\/a><\/p>\n\n\n\n<p><a href=\"#peer-reviews\">Ad-Hoc Peer Reviews<\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"monograph\">Monograph<\/h3>\n\n\n\n<p>2010. <em>Darkness Subverted: Aboriginal Gothic in Black Australian Literature and Film<\/em>. Bonn: Bonn UP-Vandenhoeck &amp; Ruprecht. <a href=\"https:\/\/hdl.handle.net\/20.500.11811\/8953\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p style=\"font-size:18px\"><strong>Nom.:<\/strong><\/p>\n\n\n\n<p>Walter McRae Russell Award for Literary Scholarship 2011.<\/p>\n\n\n\n<p style=\"font-size:18px\"><strong>Sum.:<\/strong><\/p>\n\n\n\n<p>2012. <em>Darkness Subverted: Aboriginal Gothic in Black Australian Literature and Film<\/em>. Bonn UP-Vandenhoeck &amp; Rupprecht, 2010. Abstract. <em>English and American Studies in German<\/em> 1 (1): 69-71.<\/p>\n\n\n\n<p style=\"font-size:18px\"><strong>Rev.:<\/strong><\/p>\n\n\n\n<p>Mudrooroo. 2010. &#8220;Gothic Imagination or Maban Reality?&#8221; Review of <em>Darkness Subverted: Aboriginal Gothic in Black Australian Literature and Film<\/em> by Katrin Althans. <em>Australian Women\u2019s Book Review<\/em> 22 (2). Accessed 29 September 2020. <a rel=\"noreferrer noopener\" href=\"https:\/\/hecate.communications-arts.uq.edu.au\/files\/402\/AWBR_150_print.pdf\" target=\"_blank\">https:\/\/hecate.communications-arts.uq.edu.au\/files\/402\/AWBR_150_print.pdf<\/a>.<\/p>\n\n\n\n<p>2010. Review of <em>Darkness Subverted: Aboriginal Gothic in Black Australian Literature<\/em> <em>and Film<\/em> by Katrin Althans. <em>Reference &amp; Research Book News<\/em> 25 (3): 269.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"as-editor\">as Editor<\/h3>\n\n\n\n<p>2022 (with David Kern and Beate Neumeier). <em>Migrant Australia: From Botany Bay to Manus<\/em>. Trier: WVT. <a href=\"https:\/\/www.wvttrier.de\/p\/migrant-australia\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>since 2021 (with Stefanie Affeldt and Christina Ringel). <em>Zeitschrift f\u00fcr Australienstudien<\/em>\/<em>Australian Studies Journal<\/em>. <a rel=\"noreferrer noopener\" href=\"https:\/\/australienstudien.org\/australian-studies-journal\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"essays\">Essays<\/h3>\n\n\n\n<p>2026 (under review). With Kerstin Knopf and Caroline Rosenthal. &#8220;Water.&#8221; In <em>Handbook North American Literatures and the Legal Humanities<\/em>, edited by Mita Banerjee, Stefanie Mueller, and Katja Sarkowsky.<\/p>\n\n\n\n<p>2026 (under review). &#8220;Negotiating the <em>Mabo<\/em> Decision: Philip McLaren&#8217;s <em>Mabo<\/em>.&#8221; <em>Zeitschrift f\u00fcr Australienstudien<\/em> 44.<\/p>\n\n\n\n<p>2026 (forthcoming). &#8220;Betrug\/T\u00e4uschung\/Schwindel\/Hochstapelei.&#8221; In <em>Literatur und Recht<\/em>, edited by Peter Schneck, Hania Siebenpfeiffer, and Claudia Lieb. Handb\u00fccher zur kulturwissenschaftlichen Philologie. Berlin: de Gruyter.<\/p>\n\n\n\n<p>2025. &#8220;Blak Horror, Blak Narratology, and Lisa Fuller&#8217;s <em>Ghost Bird<\/em>.&#8221; In <em>Global Indigenous Horror<\/em>, edited by Naomi S. Borwein, 125-39. Jackson: University Press of Mississippi. <a href=\"https:\/\/doi.org\/10.2307\/jj.25465117.10\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.2307\/jj.25465117.10<\/a>. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.upress.state.ms.us\/Books\/G\/Global-Indigenous-Horror\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2025. With Naomi Simone Borwein, June Scudeler und Krista Collier-Jarvis. &#8220;Epilogue: Dis\/insp\/secting <em>Global Indigenous Horror<\/em>.&#8221; In <em>Global Indigenous Horror<\/em>, edited by Naomi S. Borwein, 264-78. Jackson: University Press of Mississippi. <a href=\"https:\/\/doi.org\/10.2307\/jj.25465117.20\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.2307\/jj.25465117.20<\/a>. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.upress.state.ms.us\/Books\/G\/Global-Indigenous-Horror\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2024. &#8220;Women Refugees in Law and Literature.&#8221; <em>Anglistik <\/em>35 (1): 35-50. <a href=\"https:\/\/doi.org\/10.33675\/ANGL\/2024\/1\/7\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.33675\/ANGL\/2024\/1\/<\/a>.<\/p>\n\n\n\n<p>2024. &#8220;Ecologemes in Contemporary Australian Crime Fiction: The Case of Outback Noir.&#8221; In <em>The Routledge Handbook of Crime Fiction and Ecology<\/em>, edited by Nathan Ashman, 251-63. New York: Routledge. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.4324\/9781003091912-24\" target=\"_blank\">https:\/\/doi.org\/10.4324\/9781003091912-24<\/a>. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.routledge.com\/The-Routledge-Handbook-of-Crime-Fiction-and-Ecology\/Ashman\/p\/book\/9780367550851\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2022. &#8220;The NewClear Family in Times of the Anthropocene: The Nea-Human and her Family in James Bradley&#8217;s <em>Ghost Species<\/em>.&#8221; In <em>Gender and Queer Identities in Australian Speculative Fiction<\/em>, edited by Bettina Burger, David Kern, and Lucas Mattila, special issue, <em>Gender Forum<\/em> 81: 80-92. <a rel=\"noreferrer noopener\" href=\"http:\/\/genderforum.org\/wp-content\/uploads\/2022\/06\/GenderForum_Issue81_AustralianSpeculativeFiction.pdf\" target=\"_blank\">http:\/\/genderforum.org\/wp-content\/uploads\/2022\/06\/GenderForum_Issue81_AustralianSpeculativeFiction.pdf<\/a><\/p>\n\n\n\n<p>2022 (with David Kern and Beate Neumeier). &#8220;Migrant Australia: An Introduction.&#8221; In <em>Migrant Australia: From Botany Bay to Manus Island<\/em>, edited by Katrin Althans, David Kern, and Beate Neumeier, 1-8. Trier: WVT. <a href=\"https:\/\/www.wvttrier.de\/en\/p\/migrant-australia\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2021. &#8220;Aboriginal Jurisprudence in Philip McLaren\u2019s <em>Lightning Mine<\/em>.&#8221; In <em>Mabo\u2019s Cultural Legacy: History, Literature, Film and Cultural Practice in Contemporary Australia<\/em>, edited by Eva Bischoff and Geoffrey Rodoreda, 145-55. London: Anthem P. <a href=\"https:\/\/anthempress.com\/mabo-s-cultural-legacy-hb\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2021. &#8220;Representations of Australian Refugee Experiences: Poverty or Bare Life?&#8221;In <em>Representing Poverty in the Anglophone Postcolonial World<\/em>, edited by Verena Jain-Warden and Barbara Schmidt-Haberkamp, 229-44. Bonn: V&amp;R unipress. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.vandenhoeck-ruprecht-verlage.com\/themen-entdecken\/literatur-sprach-und-kulturwissenschaften\/sprach-und-literaturwissenschaften\/literaturwissenschaft-komparatistik\/56761\/representing-poverty-in-the-anglophone-postcolonial-world\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2021. &#8220;&#8216;A shocking deception&#8217;: Legal Fictions and Lying in <em>The Woman in White <\/em>and<em> No Name<\/em>.&#8221; In <em>Being Untruthful: Lying, Fiction, and the Non-Factual<\/em>, edited by Monika Fludernik and Stephen Packard, 247-64. Baden-Baden: ergon. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.nomos-shop.de\/ergon\/titel\/being-untruthful-id-100689\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2019. &#8220;Aboriginal Gothic.&#8221; In <em>Twenty-First-Century Gothic: An Edinburgh Companion<\/em>, edited by Maisha Wester and Xavier Aldana Reyes, 276-88. Edinburgh: Edinburgh UP. <a rel=\"noreferrer noopener\" href=\"https:\/\/edinburghuniversitypress.com\/book-twenty-first-century-gothic.html\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2019. &#8220;Defying the &#8216;Ecological Indian&#8217;: The Urban Ecopoetry of Samuel Wagan Watson.&#8221; In <em>Ecocritical Concerns and the Australian Continent<\/em>, edited by Beate Neumeier and Helen Tiffin, 251-62. Lanham: Lexington-Rowman &amp; Littlefield. <a rel=\"noreferrer noopener\" href=\"https:\/\/rowman.com\/ISBN\/9781498564014\/Ecocritical-Concerns-and-the-Australian-Continent\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2018. &#8220;Singing Brisbane into Being: A Geocritical Approach to Samuel Wagan Watson&#8217;s <em>smoke encrypted whispers<\/em>.&#8221; In <em>Nature and Environment in Australia<\/em>, edited by Boris Braun, Victoria Herche, and Beate Neumeier, 209-20. Trier: WVT. <a href=\"https:\/\/www.wvttrier.de\/en\/p\/nature-and-environment-in-australia\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p style=\"font-size:18px\"><strong>Download Maps:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/Brisbane_OSM.png\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a> Detail of standard OpenStreetMap of Brisbane (\u00a9 OpenStreetMap and Contributors, CC-BY-SA)<\/p>\n\n\n\n<p><a href=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/Brisbane_River_sw.jpg\" data-type=\"attachment\" data-id=\"78\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a> Satellite image of Brisbane (\u00a9 Google Earth)<\/p>\n\n\n\n<p><a href=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/Brisbane.png\" data-type=\"attachment\" data-id=\"76\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a> Literary map of Samuel Wagan Watson&#8217;s Brisbane as depicted in <em>smoke encrypted whispers<\/em> (\u00a9 OpenStreetMap and Contributors, CC-BY-SA, created by Katrin Althans using umap)<\/p>\n\n\n\n<p>2017. &#8220;Die kulturelle Bedeutung des Dreaming.&#8221; <em>Text + Bild<\/em> 2: 34-7. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.textplusbild.com\/2-ausgabe\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2017. &#8220;Stories of the Intervention: The Narrative Power of the Law.&#8221; In <em>&#8216;And there\u2019ll be NO dancing&#8217;: Perspectives on Policies Impacting Indigenous Australia since 2007<\/em>, edited by Elisabeth Baehr and Barbara Schmidt-Haberkamp, 185-97. Newcastle Upon Tyne: Cambridge Scholars. <a rel=\"noreferrer noopener\" href=\"https:\/\/cambridgescholars.com\/and-therell-be-no-dancing\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2015. &#8220;Forgotten Voices: The Female ANZAC and Male National Identity.&#8221; In &#8220;Gender Down Under,&#8221; edited by Victoria Herche and Beate Neumeier. Special issue, <em>Gender Forum<\/em> 53: 5-25. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.genderforum.org\/gender-down-under-issue-53-2015\" target=\"_blank\">www.genderforum.org\/gender-down-under-issue-53-2015<\/a>. <\/p>\n\n\n\n<p>2014. &#8220;&#8216;And in my dreaming I can let go of the spirits of the past.&#8217; Gothicizing the Common Law in Richard Frankland&#8217;s &#8216;NoWay to Forget&#8217;.&#8221; In <em>Decolonizing the Landscape: Indigenous Cultures in Australia<\/em>, edited by Beate Neumeier and Kay Schaffer, 255-73. Amsterdam: Rodopi. <a href=\"https:\/\/brill.com\/display\/title\/27980\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2014. &#8220;De-Commodifying the Gothic: The Strange Case of the Two-Faced Kadaitcha.&#8221; <em>Dissections<\/em> 10. Accessed 29 September 2020. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.simegen.com\/writers\/dissections\/Dissections%202014\/dissections_page_09.html\" target=\"_blank\">www.simegen.com\/writers\/dissections\/Dissections%202014\/dissections_page_09.html<\/a>.<\/p>\n\n\n\n<p>2013. &#8220;Playing the Buffyverse, Playing the Gothic: Genre, Gender, and Cross-Media Interactivity in <em>Buffy the Vampire Slayer: Chaos Bleeds<\/em>.&#8221; In <em>Game On, Hollywood!: Essays on the Intersection of Video Games and Cinema<\/em>, edited by Joseph M. Sommers and Gretchen Papazian, 20-34. Jefferson: McFarland. <a rel=\"noreferrer noopener\" href=\"https:\/\/mcfarlandbooks.com\/product\/game-on-hollywood\/\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2013. &#8220;White Shadows: The Gothic Tradition in Australian Aboriginal Literature.&#8221; In <em>A Companion to Australian Aboriginal Literature<\/em>, edited by Belinda Wheeler, 139-54. Rochester: Camden House-Boydell &amp; Brewer. <a href=\"https:\/\/boydellandbrewer.com\/9781571139382\/a-companion-to-australian-aboriginal-literature\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<p>2008. With Gerry Turcotte. &#8220;Nightmares in the Dreamtime: On Aboriginal Australian Weird Fiction.&#8221; <em>Studies in Australian Weird Fiction<\/em> 2: 163\u201371.<\/p>\n\n\n\n<p>2005. &#8220;Re-Biting the Canon: Indigenous Gothic in Mudrooroo&#8217;s Vampire-Trilogy.&#8221; <em>Acolit<\/em> 57: 27-8.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"reviews\">Reviews<\/h3>\n\n\n\n<p>2023. Rev. of <em>A Man Could Stand Up: Masculinities in British and Australian Literature of the Great War<\/em>, by Silvia Mergenthal. <em>Anglistik<\/em>. 34 (3): 264-65. DOI: <a href=\"https:\/\/doi.org\/10.33675\/ANGL\/2023\/3\/20\" target=\"_blank\" rel=\"noreferrer noopener\">10.33675\/ANGL\/2023\/3\/20<\/a>.<\/p>\n\n\n\n<p>2022. Rev. of <em>Poetics and Politics of Relationality in Contemporary Australian Aboriginal Fiction<\/em>, by Dorothee Klein. <em>Zeitschrift f\u00fcr Australienstudien<\/em> 36: 77-80. DOI: <a href=\"https:\/\/doi.org\/DOI: 10.35515\/zfa\/asj.36\/2022.07\" target=\"_blank\" rel=\"noreferrer noopener\">10.35515\/zfa\/asj.36\/2022.07<\/a>.<\/p>\n\n\n\n<p>2019\/2020. Rev. of <em>The Mabo Turn in Australian Fiction<\/em>, by Geoff Rodoreda. <em>Zeitschrift f\u00fcr Australienstudien<\/em> 33\/34: 155-7. DOI: <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.35515\/zfa\/asj.3334\/201920.09\" target=\"_blank\">10.35515\/zfa\/asj.3334\/201920.09<\/a>.<\/p>\n\n\n\n<p>2018. Rev. of <em>Contemporary Women&#8217;s Gothic Fiction: Carnivals, Hauntings and Vampire Kisses<\/em>, by Gina Whisker. <em>Anglistik<\/em> 29 (1): 169\u201371. <a href=\"https:\/\/angl.winter-verlag.de\/data\/article\/7797\/pdf\/91801013.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"30\" height=\"25\" class=\"wp-image-71\" style=\"width: 30px;\" src=\"https:\/\/katrina.uber.space\/wp-content\/uploads\/2020\/09\/arrow.png\" alt=\"red arrow\"><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"media-productions\">Media Productions<\/h3>\n\n\n\n<p>2023. <em>Migra\u00a7tory: Law, Narratives, Refugees<\/em>. Podcast, MP3 audio. <a href=\"https:\/\/open.spotify.com\/show\/3GsUfFcApgzzAnlv6Ouiha\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/open.spotify.com\/show\/3GsUfFcApgzzAnlv6Ouiha<\/a>.<\/p>\n\n\n\n<p>2021. &#8220;Narrating Refugees in Law and Literature: A Story in Spatial Terms.&#8221; ArcGIS StoryMaps. Last Modified 17 Nov. 2021. <a rel=\"noreferrer noopener\" href=\"https:\/\/arcg.is\/OjaXG\" target=\"_blank\">https:\/\/arcg.is\/<\/a><a href=\"https:\/\/arcg.is\/OjaXG\">OjaXG<\/a>.<\/p>\n\n\n\n<p>2020. <em>Gothic Down Under: An Introduction<\/em>. Uploaded 9 June 2020. Vimeo Video, 1:21:42 hrs. <a rel=\"noreferrer noopener\" href=\"https:\/\/vimeo.com\/427299893\" target=\"_blank\">https:\/\/vimeo.com\/427299893<\/a>. (password on request)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"interviews\">Interviews<\/h3>\n\n\n\n<p>&#8220;Gothic and Horror Podcast, discussing Lois Murphy&#8217;s <em>Soon<\/em>.&#8221; Interview by Bettina Burger, David Kern, and Lucas Mattila. May 2021. Podcast Episode, 38:59. <a rel=\"noreferrer noopener\" href=\"https:\/\/open.spotify.com\/episode\/5hpBomExclNlqfKITVE6m6\" target=\"_blank\">https:\/\/open.spotify.com\/episode\/5hpBomExclNlqfKITVE6m6<\/a>.<\/p>\n\n\n\n<p>&#8220;<em>Picnic at Hanging Rock<\/em>.&#8221; Interview by Bettina Burger, David Kern, and Lucas Mattila. Jan. 2021. Podcast Episode, 27:58. <a href=\"https:\/\/open.spotify.com\/episode\/69E4xXYYVDqJlz6EqNAeRc\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/open.spotify.com\/episode\/69E4xXYYVDqJlz6EqNAeRc<\/a>.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"invited-talks\">Invited Talks<\/h3>\n\n\n\n<p>&#8220;The Condition-of-England Novel: From Victoria to Brexit.&#8221; Guest Lecture, University of Bremen. 29 January 2025.<\/p>\n\n\n\n<p>&#8220;World Literature and the Appeal of the National: The Case of Outback Noir.&#8221; Guest Lecture, University of M\u00fcnster. 14 December 2023.<\/p>\n\n\n\n<p>&#8220;Narrating Refugees: The Narrative History of the Refugee Convention in Law and Literature.&#8221; Whom Do We Remember? Narratives of War and Migration. Workshop, University of Cologne. 6 July 2022.<\/p>\n\n\n\n<p>&#8220;Fl\u00fcchtlinge als Narrative in Recht und Literatur.&#8221; Research Colloquium Gerhard Mercator Graduiertenkolleg Weltoffenheit, Toleranz und Gemeinsinn, University of Duisburg-Essen. 28 April 2021.<\/p>\n\n\n\n<p>&#8220;Postkoloniale Theorien, Flucht und die performativen Wirkungen des Fl\u00fcchtlingsrechts.&#8221; Workshop Reflexive Wende der Migrationsforschung. University of Duisburg-Essen. 10 October 2020.<\/p>\n\n\n\n<p>&#8220;Transgression als Mittel der Rechtskritik in der Indigenen Literatur Australiens.&#8221; Grenz\u00fcberschreitung und Exzess. Lecture Series Diversityresearch, University of Duisburg-Essen. 2 July 2015.<\/p>\n\n\n\n<p>&#8220;<em>Jack Maggs<\/em> Reconsidered: The Legal Fictions of <em>Great Expectations<\/em>.&#8221; Symposium, University of Duisburg-Essen. 12 June 2015.<\/p>\n\n\n\n<p>&#8220;Law and Film: An Interdisciplinary Perspective on Philip McLaren\u2019s <em>Mabo<\/em>.&#8221; Indigenous Australian Literature in Context, 1993-2013. International Symposium, University of Duisburg-Essen. 13 April 2013.<\/p>\n\n\n\n<p>&#8220;Can Literature Learn from Law? Methodological Considerations.&#8221; M\u00fcnster Symposium on Law and Literature, University of M\u00fcnster. 21 May 2012.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"papers\">Papers<\/h3>\n\n\n\n<p>&#8220;Indian-Ocean Storytelling as Strategy of Postcolonial Cartography.&#8221; Postcolonial Transfers: Translation, Transition, Transformation. GAPS Annual Conference, University of Osnabr\u00fcck. 15 May 2026.<\/p>\n\n\n\n<p>&#8220;Environmental Concerns and Aboriginal Dispossession in Contemporary Australian Crime Fiction.&#8221; Post\/Colonial Environments. GAPS Annual Conference, University of Zurich. 11 May 2024.<\/p>\n\n\n\n<p>&#8220;Women Refugees in Law and Literature.&#8221; Section &#8220;Nomadworld: Global Mobility and the New Anglophones,&#8221; Anglistentag, Universit\u00e4t Mainz. 4 Sept. 2022.<\/p>\n\n\n\n<p>&#8220;&#8216;A Time to Lie&#8217;: The Narrative Authority of the Law.&#8221; Contexts of Displacement, Refugee Protection and Forced Migrants&#8217; Lives. 3rd Conference of the German Network of Forced Migration Researchers, University of Cologne. 17 September 2020.<\/p>\n\n\n\n<p>&#8220;Undoing the 18th-Century Feminist: <em>The Duchess<\/em>, Georgiana Cavendish, and the Historical Romance.&#8221; The 18th Century in Film and Popular Culture. BGECS Annual Conference, University of Bonn. 2 October 2019.<\/p>\n\n\n\n<p>&#8220;Fact, Fiction, and Lying in Wilkie Collins&#8217;s <em>The Woman in White<\/em>.&#8221; Lying and Related Fictions. Internationale Konferenz, University of Freiburg. 16 February 2019.<\/p>\n\n\n\n<p>&#8220;Mabo in Literature: The Ratio Decidendi of Philip McLaren\u2019s <em>Lightning Mine<\/em>.&#8221; Mabo\u2019s Cultural Legacy: The Mabo Decision, 25 Years On. Interdisziplinary Workshop, University of Stuttgart. 18 November 2017.<\/p>\n\n\n\n<p>&#8220;The Literary Geography of Brisbane in Sam Wagan Watson\u2019s Poetry.&#8221; Nature and Environment in Australia. International GASt-Conference, University of Cologne. 30 September 2016<\/p>\n\n\n\n<p>&#8220;Stories of the NT &#8216;Intervention&#8217;: The Narrative Power of the Law.&#8221; The &#8220;Intervention&#8221; and its Consequences. International Conference, University of Bonn. 9 October 2015.<\/p>\n\n\n\n<p>&#8220;Australian Immigration: Spatial Representations of Poverty.&#8221; Representing Poverty in the Anglophone Postcolonial World. International Conference, University of Bonn. 20 June 2015.<\/p>\n\n\n\n<p>&#8220;The Kadaitcha Revisited: Justice and Cultural Identity in a Post-Mabo World &#8211; The Case of Nicole Watson&#8217;s <em>The Boundary<\/em>.&#8221; Postcolonial Justice. Joint ASNEL\/GASt-Conference, University of Potsdam. 29 May 2014.<\/p>\n\n\n\n<p>&#8220;De-Commodifying the Gothic: The Strange Case of the Split Kadaitcha.&#8221; Gothic limits \/ Gothic Ltd. IGA Conference, University of Heidelberg. 4 August 2011.<\/p>\n\n\n\n<p>&#8220;Gothicizing the Law: Legal Issues in <em>The Kadaitcha Sung<\/em>.&#8221; Indigenous Knowledge: Issues of Cultural Transfer and Transformation. Symposium, University of Cologne. 6 July 2011.<\/p>\n\n\n\n<p>&#8220;Translating Transgression: How Black Australian Artists Translate the Gothic.&#8221; Translating Cultures: Australia, New Zealand and the Pacific. EASA Conference, University of Roskilde. 29 October 2007.<\/p>\n\n\n\n<p>&#8220;Re-Biting the Canon: Indigenous Gothic in Black Australians&#8217; Cultural Expressions.&#8221; Word and Image: Under Construction. GNEL\/ASNEL Conference, University of Koblenz. 26 May 2006.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"conferences-and-workshops\">Conferences and Workshops<\/h3>\n\n\n\n<p>2023. &#8220;Australian Mobilities.&#8221; Organiser (with Patricia Plummer). Biennial GASt-Conference, University of Duisburg-Essen. 19 &#8211; 22 Oct. 2023.<\/p>\n\n\n\n<p>2018. Conference &#8220;Australian Perspectives on Migration.&#8221; Organiser. Biennial GASt-Conference, University of D\u00fcsseldorf. 4 &#8211; 6 October 2018.<\/p>\n\n\n\n<p>2014. Panels &#8220;Justice after Mabo I &amp; II.&#8221; Co-Chair (with Patricia Plummer). Postcolonial Justice. Joint ASNEL\/GASt-Conference, University of Potsdam. 29 May 2014.<\/p>\n\n\n\n<p>2013. Workshops Academic Writing. Chair. University of Osnabr\u00fcck.<\/p>\n\n\n\n<p>2012. Workshop &#8220;The Complex Relation between Culture and Law: Methods, Concepts, Approaches.&#8221; Co-Chair (with Martin Zeilinger). Culture, Rights, Identity. International Summer Institute for the Cultural Study of the Law, University of Osnabr\u00fcck. 7 &#8211; 17 August 2012.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"peer-reviews\">Ad-Hoc Peer Reviews<\/h3>\n\n\n\n<p><em>English Studies<\/em><\/p>\n\n\n\n<p><em>History of Intellectual Culture<\/em><\/p>\n\n\n\n<p><em>Journal of Postcolonial Writing<\/em><\/p>\n\n\n\n<p><em>Tillburg Law Review<\/em><\/p>\n\n\n\n<p><em>Transnational Literature<\/em><\/p>\n\n\n\n<p><em>LIMINA: A Journal of Historical and Cultural Studies<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aboriginal and Torres Strait Islander peoples are advised that the following list may contain names of people who have passed [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-67","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/pages\/67","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/katrina.uber.space\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67"}],"version-history":[{"count":59,"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/pages\/67\/revisions"}],"predecessor-version":[{"id":326,"href":"https:\/\/katrina.uber.space\/index.php?rest_route=\/wp\/v2\/pages\/67\/revisions\/326"}],"wp:attachment":[{"href":"https:\/\/katrina.uber.space\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}